Arundhati Nag reflects on the evolving trends in theatre consumption over the past two decades.
Arundhati Nag tells us about the theatre scene when she started Ranga Shankara 20 years ago, her dreams, the reality of it, and her hopes for the future Ranga Shankara has been considered an iconic la...
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Arundhati Nag discusses the theater landscape when she established Ranga Shankara two decades ago, reflecting on her aspirations, the ensuing reality, and her vision for the venue's future impact. Ranga Shankara has since become a revered institution that has reshaped perceptions of theater. In the past, theater was seen as elitist, but Arundhati Nag, the founder of Ranga Shankara, asserts that this viewpoint has evolved over time. She notes that while some may still harbor such views, their perspectives often shift after experiencing a performance at the venue. Over the years, Ranga Shankara has revolutionized audience habits, with weekday shows now being commonplace. Arundhati Nag shares insights into her journey with Ranga Shankara, from its inception to the present dynamics within the theater community. She expresses a mix of pride and critique for the art form, highlighting both the dedication of emerging theater groups and the challenges faced by the industry. Emphasizing the vast ambitions that fueled Ranga Shankara's establishment, she acknowledges the ongoing pursuit of these goals. Despite numerous successes, she acknowledges the constant demand for improvement and innovation within the community. Arundhati Nag also recognizes a growing disparity between traditional and contemporary theater, emphasizing the need to bridge this gap for a more cohesive theatrical landscape.States like Gujarat, Bengal, Karnataka, and others collectively voiced an anti-colonial sentiment. This unity was a reflection of a global trend toward urbanization in India, widening the gap between traditional and urban theater. India boasts a rich diversity of languages and art forms, a legacy that must be preserved for future generations.

In 2004, during the inaugural night of Ranga Shankara, the growth of the theater scene was evident. From around 50 theater groups two decades ago, the number has now doubled, indicating a significant expansion. While this increase welcomes more young talent, there is a desire to promote theater as a cool and enriching experience for audiences.

Supporting the arts, particularly theater, without imposing restrictions is commendable. Those who contribute financially to the arts without constraints deserve respect and admiration. It is essential for society to ensure the survival of artists and encourage them to dream without limitations.

Arundhati Nag emphasizes the importance of trying new things and sees theater as the future. Unlike expensive cinema or mindless television, theater offers an affordable and enriching experience that connects audiences to their culture and heritage. The learning opportunities provided by theater are limitless, making it a valuable platform for personal and cultural growth.

In the face of rapid change, a commitment to generosity and excellence is crucial. Arundhati Nag hopes that the spirit of generosity and pursuit of excellence will endure amid the evolving world, allowing individuals to achieve their goals and make meaningful contributions.What I envision as the essence of Ranga Shankara enduring beyond our time is for it to maintain a spirit of generosity and excellence. Simply being generous can be unwise, and solely pursuing excellence can lead to arrogance. However, a balance of both creates a powerful combination. Arundhati Nag and the late Girish Karnad were observed engaging with literary figures at the event.